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GRAND MANAN MORNING


GRAND MANAN MORNING

I'm not one of those artists who can finish a painting and call it 'done', and move right along to the next one.  I wish I was.  I envy them  -  they know who they are. 

 

For me, it's a constant quest for that 'perfect painting', which can never quite be attained.   Even after a painting is 'finished', it's still fair game for further work  ...  sometimes just a slight colour or value adjustment,  sometimes a more intensive 'overhaul'.

 

Perhaps it's the old maternal instinct speaking up  -  you don't just birth them and let it go at that  ...   it's a matter of nurturing and guiding them as they grow, adapting to keep up with the times, making adjustments based on new lessons learned and new information gleaned and new experiences acquired.   Just as it was with raising children, so it is with creating art.  At least that's the way it is for me. 

 

This year I've been spending a fair amount of time on reworking paintings done at earlier times, mostly those done within the past couple years, but a few older ones too.   This one I first did many years ago in Oil,  but I felt the need to let the pencils play with it as well, so in 2008 I did a Coloured Pencil version.  The following year I did some touch-up work on it, and it has sat around since then. 

 

It never quite measured up to what I'd originally envisioned when I first set pencil to paper, so this year it was back to the drawing board again.  I examined it once again, with fresh eyes and more experience under my belt, and had another go at it. 

 

The result this time is much closer to my original intention, and I'm fairly pleased with it.  Nothing about it jumps out at me and screams "Fix Me!!"  

 

I think I might leave this version alone  -   at least for now. 

 

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WINTER'S BLANKET


WINTER'S BLANKET

Latest off the drawing board  ...  I've been working at this one for the past few months, off and on, in between other artistic endeavours.  It was 'finished' about a month ago, but my usual process is to 'set aside' newly finished works, to take another look at them a little later.  This one has gone through that process, and I've completed my adjustments based on the 'fresh eyes' approach.  In this case I deepened the contrasts between the snow patches and shadows on the tree itself,  cooled the background a little more to make it truly recede, and warmed the foreground to move the eye forward.  Now that I'm satisfied with this 'makeover',  I'm calling it Completed, with a capital C. 

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